S t y l e s

 

 

 

     William has always been a big fan of orchestral en epic soundtracks, wich means that he takes influences from film composers such as Hans Zimmer or John Williams, and videogame composers like Christopher Larkin or Jack Wall; But he loves metal music too. So... his favourite music style would be a mix of both: symhonic metal; and bands such as Nightwish, Epica or Kamelot.

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     Discography in publication order:

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All Colours of Nature:

One long track (over 17:30 minutes) about the Nature, divided in six parts, as seen in the original video that can be found bellow.

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Human Kind:

Another conceptual album about the human nature, the Earth and the Universe, divided in three parts: All Colours of Nature (tracks 1 to 6 or the division of the previous release with the same name), Evolution (tracks 7 to 12) and The Stars Above (tracks 13 to 15).

 

The Cosmic Order:

A soundtrack album about the expanded universe of Golden World Archive.

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In the Night:

2 sort of acoustic songs about the night (literally).

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Symphony of a Modern World:

A magestic and epic symphonic piece, inspired by classical music, that travels throught the ups and downs of the modern world since the II Industrial Revolution, across 9 movements. 

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Sharpened Nails:

A sad and melancholic song about bullying and the consequences of it.

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Lágrimas de Dragón (Original Soundtrack):

The original soundtrack of the shortfilm Lágrimas de Dragón, made by a group of studentes from the UTAD University.

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Finis Terrae:

An orchestral and epic single made for the Premios Provinciáis á Xuventude from the Diputación de Pontevedra, piece that granted William Khan the first price in the category of "Classical music piece composition".

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The Hesebeti War, Chapter 1:

A short EP made as an experiment with synths and electronic instruments, inspired by many sci-fi soundtracks.

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Alice:

A song about transformation and change, with images and characters taken from Lewis Carrol's books.

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Faking:

The first single of an upcoming sci-fi metal music project. Inspired by the character of the Illusive Man from Mass Effect, the song talks about the fake people we encounter in our lives.

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